Million Dollar Quartet — Broadway

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Million Dollar Quartet — Broadway Youtube Video show preview.

What: Million Dollar Quartet

How Long:
1hr. 30mins.
(0 Intermission)
Average Weekly Schedule:

"Million Dollar Quartet" is a Broadway show: the name given to recordings made on Tuesday December 4, 1956 in the Sun Record Studios in Memphis, Tennessee. The recordings were of an impromptu jam session among Elvis Presley, Jerry Lee Lewis, Carl Perkins, and Johnny Cash. It was arguably the first supergroup.

The Broadway Million Dollar Quartet production opened at the Nederlander Theatre on April 11, 2010.
The stage musical Million Dollar Quartet, written by Floyd Mutrux and Colin Escott, dramatizes the Million Dollar Quartet session. Million Dollar Quartet premiered at Florida's Seaside Music Theatre and was then staged at the Village Theatre in the Seattle, Washington area in 2007, breaking box office records. The musical opened for a limited run at Chicago's Goodman Theatre on September 27, 2008. Mutrux co-directed the Chicago production with Eric Schaeffer, of Virginia's Signature Theatre. The show transferred to Chicago's Apollo Theater where it opened on October 31, 2008.
The Million Dollar Quartet musical was nominated for three 2010 Tony Awards: Best Musical, Best Book of a Musical, and Best Performance by a Featured Actor in a Musical for Levi Kreis. The musical won one of the three Tony awards for which it was nominated, Levi Kreis winning the award for Best Performance by a Featured Actor in a Musical for his portrayal of Jerry Lee Lewis.

Million Dollar Quartet Broadway musical show Songs:
Country music and country gospel loom large in the choice of songs. The songs of such country and Western legends as Bill Monroe, Ernest Tubb, Hank Snow and Gene Autry are among those featured. Lewis played most of the piano and Presley took nearly all of the lead vocals. The other participants easily follow Presley’s lead with what seems a close familiarity with his choice of songs. Critics have remarked on the irony of his choices as rock & roll was branded as satanic music at the time.
Carl Perkins took the lead on only "Keeper Of The Key" and seemed content to play guitar and supply harmony vocals. He had, however, been singing all afternoon. Clayton Perkins and Jay Perkins and drummer W. S. Holland can be heard on the earliest titles. The rhythm guitar on the earlier songs was played by Charles Underwood, who was a writer for Phillips’s publishing companies. Presley also brought with him another aspiring singer, Cliff Gleaves, who might be participating on some of the ensemble parts.
Jerry Lee Lewis can be heard more frequently, often singing in duet with Presley and at the end of the session, when Presley got up to leave, he swiftly took over the piano and whipped off five piano ravers in rapid succession, including a rousing "Crazy Arms" (his debut Sun single) and a soulful make-over of Gene Autry's You're the Only Star in My Blue Heaven.
Colin Escott has reported that according to Charles Underwood, Presley and Phillips went into the control room while Lewis was playing and Presley commented to Bob Johnson that "(Lewis) could go. I think he has a great future ahead of him. He had a different style and the way he plays piano and gets inside me."
More importantly, however, Johnny Cash’s voice does not seem to appear on any of the released tracks. Colin Escott reports that according to Bob Johnson, Cash joined Presley, Perkins and Lewis on Blueberry Hill and Isle Of Golden Dreams. This was confirmed by Carl Perkins in a 1972 interview, when he stated that "we did things like Blueberry Hill, Island Of Golden Dreams, I Won't Have To Cross The Jordan Alone, The Old Rugged Cross, Peace in the Valley, Tutti Frutti, and Big Boss Man." "Peace in the Valley" is the only released track and none of the others ever seems to have been found. Johnny Cash's autobiography, Cash, states that he sings on the tracks but he sings in a higher pitch than usually to blend better with Elvis's vocal. Furthermore he writes that he stood far from the microphone.
The point at which Johnny Cash arrived at the studio is a matter of discussion. Some sources, report that Cash was already at the studios, when Presley arrived. Perkins said that Cash had stopped into the studios to "get some money".
Cash, in the book Cash: The Autobiography commented, "I was there - I was the first to arrive and the last to leave, contrary to what has been written - but I was just there to watch Carl record, which he did until mid-afternoon, when Elvis came in with his girlfriend. At that point the session stopped and we all started laughing and cutting up together. Then Elvis sat down at the piano, and we started singing gospel songs we all knew, then some Bill Monroe songs. Elvis wanted to hear songs Bill had written besides Blue Moon of Kentucky, and I knew the whole repertoire. So, again contrary to what some people have written, my voice is on the tape. It's not obvious, because I was farthest away from the mic and I was singing a lot higher than I usually did in order to stay in key with Elvis, but I guarantee you, I'm there."
Some reports, however, including one in a very detailed account in Peter Guralnick's book, Last Train To Memphis - The Rise of Elvis Presley, suggest that Cash stayed for only a short time and then left, possibly to do some Christmas shopping. Colin Escott also reports that Cash was brought in only late in the session, after Sam Phillips had decided to call the Memphis Press Scimitar.
The fact that Cash may not have been present throughout the whole session seems to be confirmed by two pieces of “chatter” caught on the tapes. In the first, another Sun artist, Smokey Joe Baugh, came by and his gravelly voice can be heard after "I Shall Not Be Moved", saying "You oughta get up a quartet." In the second, a female voice, not Marilyn Evans, can be heard asking if "This Rover Boys Trio can sing 'Farther Along'?" Evans, however, can later be heard requesting the song "End of the Road." On the other hand, Elvis is plainly heard mentioning Cash by name on the track "As We Travel Along The Jericho Road", at the 0:07 mark, although the form of the reference leaves it ambiguous as to whether Cash was on premises at that point. Elvis can also be heard saying goodbye to someone named Johnny during the "Elvis Says Goodbye" track that closes the 50th anniversary release.
Country music was not the only choice of the participants; they performed "There’s No Place Like Home", a sentimental Rodgers and Hammerstein showbiz ballad as an energetic rockabilly clip. They can also be heard turning their attention to the hit parade of the day. Presley led the session with "Out Of Sight, Out Of Mind," an R & B song popularized by the Five Keys. Meanwhile, Lewis sings one line of Chuck Berry's "Too Much Monkey Business" which leads into Lewis and Presley experimenting with snippets of Berry's "Brown Eyed Handsome Man." Elvis can also be heard singing a snippet of Little Richard's "Rip It Up" (with a ribald change in the lyric) and Pat Boone's hit of the day, "Don’t Forbid Me" which Elvis on the tape claims was first offered to him but the demo "sat around my house" without being played.
In addition, Presley previewed material that he was considering for up-coming RCA sessions in January and February 1957. He sang "Is It So Strange," "Peace In The Valley," and "That’s When Your Heartaches Begin," which he acknowledges on the tape as having been one of the songs he recorded for Sun during his demo session a couple of years earlier, and which he would record again for RCA a month later. In the case of "Is It So Strange", he comments, "Ol' Faron Young wrote this song sent to me to record."
The title which most critics seem to highlight is Presley’s rendition of "Don't Be Cruel," one of his major hits of 1956 (see 1956 in music). This is not Presley singing Presley, but his imitation of Jackie Wilson, then the lead singer with Billy Ward’s Dominoes, imitating him. It appears as though the Presley entourage spent a few days in Las Vegas (most likely during Presley's short-lived tenure earlier in the year at the Frontier Hotel) and went to watch Jackie Wilson, who had obviously built an impersonation of Presley into his act.
Presley describes Jackie Wilson tearing up Las Vegas audiences with a house-on-fire rendition of "Don't Be Cruel". He goes on to say that, "He tried so hard until he got much better, boy, much better than that record of mine.... I went back four nights straight and heard that guy do that," he says, imitating Wilson's bluesy smolder and big finish.
"He sung the hell out of the song," Elvis can be heard saying with admiration, adding with a laugh, "I was on the table lookin' at him, 'Get 'im off, get 'im off!'" Obviously on a roll, Presley, then ripped into a slower, sassier version of his latest RCA single "Paralyzed," backed up by Perkins and his trio.
According to the Rolling Stone review of the album, "'The Complete Million Dollar Session' provides a rare post-Sun glimpse of Elvis Presley momentarily free of the golden shackles of stardom and the manipulative grasp of his manager, Colonel Tom Parker. His singing, especially on the gospel numbers, is natural and relaxed, minus some of the trademark mannerisms of his official RCA releases."
Colin Escott has said, "They mixed and matched their disparate styles – and their innate musicality ensured that what emerged had the rarest of all musical qualities: originality." Some 30 years later, Perkins, Lewis, Cash and Roy Orbison, a Sun recording artist in 1956, went back into the Sun Studios to record a session of their own Class of '55.

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