Grand Central Art Galleries

The Grand Central Art Galleries were the exhibition and administrative space of the nonprofit Painters and Sculptors Gallery Association, an artists' cooperative established in 1922 by Walter Leighton Clark together with John Singer Sargent, Edmund Greacen, and others. Artists closely associated with the Grand Central Art Galleries included Hovsep Pushman, George de Forest Brush, and especially Sargent, whose posthumous show took place there in 1928.
The Galleries were active from 1923 until 1994. For 29 years they were located on the sixth floor of Grand Central Terminal. At their 1923 opening, the Galleries covered 15,000 square feet (1,400 m2) and offered nine exhibition areas and a reception room, described as "the largest sales gallery of art in the world." In 1958 the Galleries moved to the second floor of the Biltmore Hotel, where they had six exhibition rooms and an office. They remained at the Biltmore for 23 years, until it was converted into an office building. The Galleries then moved to 24 West 57th Street, where they stayed until they ceased activity.
Their main offices, the Grand Central Art Galleries directed a number of other enterprises. They launched the Grand Central School of Art in 1923, opened a branch gallery at Fifth Avenue and 51st Street in 1933, and in 1947 established Grand Central Moderns to show non-figurative works. The Grand Central Art Galleries were also responsible for the creation, design, and construction of the United States Pavilion at the Venice Biennale.

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